Theatre Review: Shifters, Duke of York’s - Infectious and Authentic
⭑⭑⭑⭑
From the moment the lights went down at the Duke of York’s Theatre, Shifters had the audience spellbound. This production, starring the exceptional Tosin Cole and Heather Agyepong, is a delight of storytelling and performance. It’s a play that feels so profoundly authentic, so expertly crafted, and leaves a lasting impact that lingers well beyond the final curtain.
One of the most striking elements of this production is the brilliant reinvention of the space. The design is something you more often see in smaller regional theatres - which tracks as this production transferred from Bush Theatre. With seating on the stage, it creates a sense that for one night this theatre is the world and they are at the centre - drawing the audience into the world of the play in a way that feels both intimate and expansive. The use of lighting is particularly noteworthy—there’s a subtle beauty to it that elevates every scene, casting the characters in a light that seems to reveal their innermost thoughts and emotions. It’s a visual feast that complements the story perfectly.
At the heart of Shifters is the extraordinary chemistry between Tosin Cole and Heather Agyepong. Their performances are nothing short of mesmerising, and the connection between them is palpable from the outset. They bring such depth and nuance to their roles, making every moment they share on stage feel charged with emotion and meaning. Whether they’re locked in intense dialogue or sharing a quiet, reflective moment, their interactions are imbued with a naturalism that feels entirely genuine. It’s a rare treat to see such seamless interplay between two actors, and it’s this dynamic that drives the play forward with such compelling force.
Benedict Lombe’s writing is simply divine. She has crafted a narrative that feels both deeply personal and yet easily resonant to the audience, weaving humour and heartbreak with a deft hand. The dialogue is sharp, witty, and at times devastating, reflecting the complexities of human experience in a way that feels utterly real. Lombe’s ability to capture the duality of joy and pain, often within the same breath, is nothing short of remarkable. The humour never feels forced, and the moments of hurt are all the more powerful for their honesty. It’s a testament to Lombe’s talent that the story feels so effortlessly told, yet is layered with meaning that invites deeper reflection.
Director Lynette Linton deserves the highest praise for her work on this production. Her direction is assured, yet sensitive, allowing the story to unfold at its own pace while maintaining a tight grip on the audience’s attention. She has created a space where the characters’ voices are heard loud and clear, where their stories are given the room to breathe and resonate. The authenticity of the narrative is palpable, making the characters’ journeys feel both uniquely their own and deeply relatable. Linton’s vision for this play is clear and confident, and it’s brought to life with a precision that’s truly commendable.
My one qualm is an accessibility one - shows without an interval limit the accessibility of a show for physical and mental health reasons. Whilst I’m sure people appreciate the earlier finish and the chance to get food after the show, the lack of a break makes it tricky for people with chronic pain, sensory difficulties, bladder or stomach issues to come and actually enjoy the show.
Having said this, Shifters is a show I really implore you not to miss. It’s a beautifully crafted piece of work, brought to life by a stellar cast and creative team. Tosin Cole and Heather Agyepong deliver performances that will stay with you long after you leave the theatre, and Benedict Lombe’s writing is as profound as it is engaging. This production is a shining example of what theatre can achieve when every element—writing, performance, direction, and design—comes together in perfect harmony.
Shifters is running at Duke of York’s until October 12th. Tickets available here.